#and he has a LOT to compare him to

[sunciv]

thinking about how even though he's been playing for years in a professional team and competed in the olympics against the greatest volleyball athletes in the world kageyama's "somebody even better" is still hinata shouyou

[lilybug-02]

In short- the bugs of Hallownest did not take it well. Lots of screaming about "The end of the world" and "past sins coming back to haunt them". Elderbug almost had his second heart attack and basically every bug, other than the Pale King children and Quirrel, hid for several hours. (Zote likes to claim he was the first to make contact)

As for why Dewi's Dad is in Dirtmouth? Well, he wasn't very happy when his 11 year old son told him about going into a 'mysterious cave' to see his bug friends. Adult supervision and all that.

[dreadark]

so why is Luka obsessed with Hyuna anyway?

(mostly just trying to get my thoughts on Luka down before blink gone rewires my brain)

every pet human is extremely limited in freedom, but Luka's case is definitely the worst literally even his birth was by Heperu's design... he can't control any aspect of his own life, from his participation of ALNST (twice!) to what he eats on a daily basis

*translations all by whatafruit

humans have no power over segyein, and Luka doesn't even have any power over own his own body so what can he have power over, then?

other humans, of course

most obvious in round 5: Luka would've had an easy win even if he barely tried, but he goes out of his way to provoke Mizi anyway until she finally snaps... and he smiles as he's beaten

because this is his "power." he successfully manipulated Mizi into reacting, proving he has some control over the situation no matter how pointless it is in the grand scheme of things, this is all he can influence, so he makes the absolute most of it and this control is so important to him he doesn't care about his own physical injuries

it's Hyuna talking in this comic, but clearly reflecting Luka's own mentality

while for Hyuna it's likely just her love for singing and performing (whatever happens, they can't take this away from her) for Luka I imagine it's the ability to influence others from the stage (crushing his opponents, but also shaping his fanbase?)

...so back to Luka -> Hyuna

it’s mentioned more than a few times that Hyuna’s a really talented performer, but seeing their respective stat pages really drives it in

(think the “superiority test” Hyuna was put through relates to this also)

Hyuna doesn't seem to have been created in any special way like Luka was… she just has a natural affinity to performing. and that's enough that she’s considered a real rival to Luka—Luka, who was literally made for this, and put through constant hellish training on top (the pain of having your heart stopped...) to mold him into the perfect idol

to Luka… if he can’t dominate Hyuna, he can't even take pride in his own ability (that everything he's forced to go through amounts to something?). and power over other humans is all he has, so he needs to overpower Hyuna (also he likely admires Hyuna’s talents at the same time, which just adds to his twisted feelings)

so since his ability isn't enough... by making someone think of you, only you… that’s another way of having power over someone, isn’t it

“your life is mine” “I told you I only wanted one thing”

whatever exactly happened with Hyunwoo… well that certainly worked. both removing Hyuna's most important person and making Luka someone she can't not think of (oh and he doesn't seem particularly interested in Hyunwoo despite how similar the siblings are in personality? Hyunwoo was even the first to approach Luka, not Hyuna so it's likely because he doesn't have his sister's talents)

but you know how his intimacy(?) value for her is only 70% I figure that's because she escaped, so they could never actually face off onstage... maybe he's disappointed in her "wasting" her ability

what all this amounts to is that she did end up escaping his control, and he never even got to compete against her. so until he can somehow completely overpower her, he'll be obsessed with her

I wonder if this represents his final effort to that... ultimately, he values control over his own well-being, so if he can goad Hyuna into killing him, then doesn't that cement his power over her?

and maybe "saves" him from this hellish life too

kind of a tangent, but I really like how their designs contrast this dynamic Luka looks really angelic and androgynous, so from appearance he seems fragile and like someone to be protected (which even Hyuna seemed to be tricked by when they were younger) and Hyuna obviously looks the stronger one in comparison (very #girlboss (lol...))

but their relationship is one where Luka's trying to control her and Hyuna's trying to escape it... that "beautiful lady" line of ruler of my heart always felt somewhat uncomfortable, and then learning it's actually pitiful (가련한) instead of beautiful is... ...it's a very gendered dynamic, if you get what I mean. despite their surface-level appearances going against what's considered typical

[lgbtlunaverse]

The thing we have to remember about MXTX calling wangxian "ideal characters" in a moral sense in an interview is that her previous work was scum villain. And in comparison... *looks at Bingqiu*

Yeah, wangxian have never done anything wrong in their life.

[thisisadonaldduckblognow]

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

[awkwardrocker]

I need everyone upset about Liam's promotion to understand that it had nothing to do with him being better/worse than Yuki. Yuki outperformed him. Yuki deserved the chance. BUT Yuki is not a Redbull driver. He is a Honda driver. He has no loyalty to Redbull and that is why he did not get a chance next to Max. It's not that he didn't deserve it. It's pure business.

Redbull are ending their relationship with Honda. They are creating their own engines. It's likely seen as a big liability to Redbull to have Yuki actively involved in any tests or even near anything involving the 2026 engine.

This is not an attack on Yuki or his character or anything like that, so please do not take it that way. But, Yuki's loyalty to a different engine manufacturer is a major risk to any new manufacturer like the Ford/Redbull powertrain. You just never know. I'm not saying he doesn't deserve a good drive, but Yuki's loyalty will forever be to Honda (as it should) and that poses a lot of risks for Redbull.

Once again, I am not commenting on Yuki's character or making assumptions about him when I say this, but there are a lot of big concerns if he gets promoted. He could ditch them for Aston immediately because Honda asks, he could share information about the new engine to Honda, or he could give questionable feedback that negatively impacts the new powertrain. Maybe he wouldn't do these things. But if there's even the most miniscule potential that he could, it would make any team hesitant. F1 is rampant with cheating allegations and questionable tactics to win. The teams will want to protect themselves in any eventuality. And that is what's working against Yuki so greatly.

Yuki has proven to be a very competent driver over the past year, but let's not forget that he nearly lost his seat in 2023 and the rumored reason he stayed is due to Honda. He owes his career to Honda, not Redbull. And at the end of the day, that's his main flaw within this team. It's not his driving. It's not his temper. It's not anything else. It's purely who he is aligned to poltically in the racing world. Is that fair? No. Is that how racing works? Unfortunately, yes.

[uffi29]

IF YOU ARE SOMEONE THAT WRITES JAYA FICS FROM NYA'S POV JUST KNOW THAT I LOVE YOU I LOVE YOU I LOVE YOU I LOVE YOU I LOVE-

[struggling-jpg]

Random thoughts but

imagine Boothill going to the Luofu and meeting Jing Yuan and by extension Yanqing and it's like "Wow! You guys are motherfudging cool!"

But it occurs to him how young Yanqing is and he can't help but think that maybe his daughter could have grown and made friends with him. It's somewhat concerning that this little guy is in the constant face of danger. Boothill gets it, the kid's strong, but the dad in him worries just a bit.

Then maybe Boothill and Jing Yuan talk while eating (well, Boothill chewing on a bullet probably), and he brings it up casually, smoothly but the General knows what he's trying to get at.

Jing Yuan talks about how he's also feels worry, that he had thought about what it meant to raise Yanqing as a son, retainer, and a soldier. It takes some moments but Boothill finally openly talks about his daughter and how he wishes that he got to see beyond her first steps. That she could have had the chance to play guitar or ride horses or even learn to drive a spaceship. He feels afraid for Yanqing because isn't that boy still so small?

And Jing Yuan agrees with a thin, close-eyed smile that Boothill recognizes but can't put a name to. They reach a mutual understanding yet unanswered questions hang in the air.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[greenerteacups]

What do you think of jkr as a writer? I for one has always felt like she didn’t treat her female characters well. It felt strange, being critical of her when she was god queen of the earth, and also being 10

I think most of the problems in her books can be chalked up to genre hopping. Books 1-3 are perfectly good and serviceable children's books — great children's books, even! They have compelling, relatable characters and juicy mystery plots. They have problems, sure, but for the first three books someone's ever written — especially someone with little or no background in creative writing — they're really fucking good. So: there's her flowers.

The last four books pivot sharply into much more emotionally complicated and sociopolitically loaded territory, because they're describing a war. And it's hard to write children's books about war. I would venture you can't really do it, at least without dramatically misrepresenting what war is! And so Rowling makes the executive decision somewhere during the writing of Book 4 that she's not going to flinch away from that, she's going to go for dramatic realism, and she kills Cedric Diggory to let us know. People had died in Harry Potter before, of course — Quirrell gets sent to the fucking shadow realm, for example. But children haven't. (It also gives parents who are reading these books with their children a warning shot: shit is about to get significantly more real, think twice before you buy the next one of these for your 10-year-old.) After that, Rowling starts leaning much more into dramatic realism, and the fast-paced mystery-novel plotting of the first few books is replaced by a slow, simmering political conflict that unfurls over the course of about a million words.

The problem — besides the fact that she's picking one of the hardest things to write about, like, in all of literature, war is really insanely complicated and emotionally intense and hard to portray well — is that she's now trying to use characters, plot points, and technologies she developed for a children's series to enact a sprawling war drama among teenagers and adults. So Hermione, who was a reasonably precocious snobby eleven-year-old, becomes this sort of encyclopedic all-knowing savant of the wizarding world, who somehow remains functional and mostly even-headed despite her identity being the chief target of a prolifically murderous terrorist group. Draco Malfoy, a schoolyard bully whose primary tools included 1. namecalling and 2. telling teacher, JOINS said terrorist group (and admittedly does react reasonably, i.e., has a total crashout and takes to sobbing in a girls' bathroom whenever he gets a free minute). Dumbledore, who starts out as "whimsical friendly winky-wink trustworthy grandfather type", ends up being Magical Winston Churchill in a violent game of spycraft and espionage, eventually revealing he's only been keeping Harry at all these seven years because he wants to KILL him! And like, maybe really good technical writing could smooth out these transitions and make the first-order dramatic choices seem more natural, but Rowling is like, a Fine Writer, technically speaking. meaning she's reasonably consistent in characterization, her plotting is well-paced and believable, she has a clear authorial voice, and her prose is readable. personally, that's not enough to get me to buy into some of the changes that happen in the later books, and because she stuffs these things so full with new elements every installment, a lot of stuff ends up getting glossed over.

And like, I still love the books. I think they're wonderful, and they taught me how to read. but i can say that and also say that Rowling probably did herself a disservice by trying to write four giant war novels as sequels to her first three mystery children's books.

[hyacinthsdiamonds]

Ted saying that no driver has had this level of attention on them since Michael Schumacher...

Gentlemen, a short view into the past; Max's debut season, his Red Bull debut, the literal rule changed as a result of his debut in the sport... oh and everyone and their mother calling Kimi Max 2.0 and Toto's second chance at signing debut!Max since he failed the first time around...

[misqnon]

Thoughts on Sanji enjoying feminine things?

short thoughts: i love it and think he should do it more often esp because i feel like he definitely does in canon and just won't actually let himself do so. i don't draw him in drag all the time for no reason

long thoughts: [breathes in]

i could write an entire essay on sanji's character in terms of femininity, queerness, and misogny BUT we don't have time for all that so let's just focus on the fact i feel like there's actual evidence he enjoys traditionally non-masculine things and oda actually puts him in situations to highlight this pretty frequently

-i am guilty of calling sanji a metrosexual . it's a stupid word but it fits him. he's the only guy on the ship that showers every day and the only other ppl on the ship who do this are the two girls. man also wears suits like mad and has a fairly...daring fashion sense outside of that (granted, most ppl in one piece do.) but he just cares about these things more than most guys! and that doesn't even seem like something that came from his upbringing at baratie bc...no one else dressed like that. he just does that himself. i also can't stop thinking about the sbs where someone suggested sanji would be a stylist in real life and oda went "yes agreed"

-the kamabakka moment...okay terribly offensive and transmisogynistic (won't get into it bc i have several times before) BUT if we can take one thing from that it's that sanji *did* dress up in makeup and a dress and like. frolic with the okama. it's framed as "against his will" but he definitely could have torn that shit off quickly and easily enough, yet oda decided to imply sanji enjoyed it for at least a time before he chickened back out and called the place hell for 2 years. yea, it was probably for oda's idea of 'comedic effect' but this is, once again, one piece. sometimes the humor is part of the plot. sometimes very real information is given through the guise of humor. going off of this u could mention that (also offensive but meant to be funny) joke with the blood donation scene from fishman island

-idk just something about the way oda writes him fighting lots of queer or non-conventionally masculine characters. i feel like it says something about sanji having his own internal struggle about his masculinity- which we know must be true bc of his whole list of virtues he never breaks a la women because of his upbringing with good ol' fashioned zeff and uh. "men should be war machines" germa over here. he fights bon clay and queen for christ sake.

-the scene where he's like happy as a clam to be in nami's body in punk hazard is another comedy gag that's also a little . interesting. I could say oda just keeps accidentally coding him but I feel like oda's very intentionally with his characterization and the subtlety of it

-overall he's just clearly so interested in masculinity since zeff raised him to be that way and he holds zeff in such high regards in combination with his background with germa, his mother and his sister, leading to a I Have To Be A Perfect Gentlemen And Also Respect Women by Putting Them On the Highest of Pedestals. and this in turn has made him reluctant to engage with femininity in any way that could be perceived as Not fitting this manly persona he's made for himself, yet he keeps getting put up against it in various small moments in the series whether comedic or not. I don't think oda frames sanji's relationship with masculinity entirely as a character flaw or weakness to be fixed, bc oda seems to respect sanji's views/they align with oda's own views. BUT I do think he knows it's partially susceptible to change and....he makes Sanji encounter these things so often for a reason. does that make sense?

in my ideal world sanji 20 years in the future is a bit more feminine even if he's still a casanova ladies man. like he accepted the okama influence in his life, he's just more quiet about it, lmao. I mean did u see his hair for oda's 40 yr old design

so yeah. he does, I think. quietly and deep down.

[happyk44]

Something something Percy wishing he loved Nico in the same way because he can't stand the idea of hurting him, even though Nico has never needed Percy to love him in the same way or even to love him at all.

[piromina]

they definitely met / had shenanigans before pv was chosen to be an ancient bc fate just kinda works like that sometimes

[chaika-jpeg-shitpost]

Joseph, just like Chika, had someone weak and helpless in his care. However, when the threat of death from starvation drove him into a corner, he refused to abandon the one he promised to protect. Unlike Chika

[sysig]

Some highlights from a tense but still very Winterkov-y scene (Patreon)